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A Journey Into Bliss (2004) - Jürgen Höhne, Jasmin Harnau, Holger Müller


Published:2004
Actor:Jürgen Höhne, Jasmin Harnau, Holger Müller, Frank Bauer, Jörg Buttgereit, Jeanette Eisebitt, Jan Hahne, Ralf Hammermeister, Marga Heinze, Matthias Hänisch, Maria Jösch, Katja Kiefer, Bernward Klimek, Lilian Martinez, Ralph Meyer

Captain Gustav lands his ship on a mysterious island snails, and takes up arms against King Knuffi and his nasty assistant. Without regard to losses sustained by the underground filmmaker Wenzel Storch has staged his most elaborate works.They still exist, the good movies. And sometimes they even come from Germany. However, is found in these cases a special effort behind it. Thus, even in the case of Wenzel Storch Magnus Opus The journey to happiness. The underground film-maker working for eight whole years of this work on the spherical Gustav Captain (Jürgen Höhne) and his wife Eva (Jasmin Harnau) consistent with their human and animal friends, and a screw ship landing on a mysterious island, the evil king Knuffi (Holger Mueller) ruled with an iron carpet beater. Support will suffer from the tyrant in him by his other loyal nobles, under the strong urge to urinate.A large part of the preparation may be assumed the attempts to secure the financing of the film ausstattungsintensiven, since the money for film funding was insufficient and were supplemented by various revenue fund-raisers, in which participated including Max Goldt, Wiglaf Droste and Harry Rowohlt. The latter also borrowed from 1. Officer of the ship's screw, a moody brown bear, the voice. AThe Berlin splatter filmmaker and journalist Jörg Buttgereit worked with, designed the special effects, and embodies a gentleman.In large part, the film thrives on the imaginative scenes, which zusammenbastelten Wenzel Storch and his team spent years working out of small junk yard, lumber and flea market inventory. Both the snails and marine Knuffis islands are overloaded with absurd utensils of all kinds. The Zweckendfremdung from everything and everyone has the system, the result seems grotesquely functional and organic.Unprepared viewers might be inclined to view the wonderful pictures of flood, which spreads the film, to take after a few minutes to escape. Wenzel Storch breaks during the 73 minutes in today's society, almost all remaining taboos - violated, inter alia, the snail's ship has a church, also the emission of body fluids of any kind takes on unexpected dimensions. The stylistic characteristics of the film is not aligned to the viewing habits of ordinary mortals. The colorful spectacle will be presented in a strangely distorted appearance, excessive camera movements are designed to give the audience the visual equivalent of a psychedelic drug intoxication.At first glance, there is hardly a film that is farther away from everyday reality, as the journey to happiness. UAnd yet there are in this masterpiece of the fantastic cinema cracks penetrate through the fragments of German life-world and make themselves at home in a very unusual environment. This is most clearly evident in the dialogues, which contain the entire Sprachschrott the last 30 years. Her stolen phrases of the seventies and eighties take years for the worst elements of youth language of the nineties. Of course not about to make a whatever kind commentary on the current situation in Germany, the soundtrack instead of a system acts as another factor that could determine its reference only Wenzel Storch.There is no editorial or aesthetic description of this film seems just as impossible as there is even a half-completed assessment. The standards by which films are implicitly measured by each viewer, have no relation to the journey to happiness. Only in the same style, but on 8mm footage shot the previous work of director, shine these days (1989) can and Summer of Love (1992), are used as comparison. Storch, an avowed Catholic, and LSD-consumer, is in fact a film auteur par excellence, is his personal fantasies in such an inimitable way into pictures in order, as we have succeeded in almost any filmmaker now over 100 years of film history. Despite its apparent inaccessibility, an intensive examination of this unique work is desirable, even alone, to draw more attention to the work of the Hildesheimer self-taught. The Journey to Happiness is a film that demands to be watched again and again. Perhaps he has some cheap but his secret.



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